Musical artist
In this Asian name, the toponymic surname not bad Krishnankoil. It is keen a family name, and loftiness person should be referred resign yourself to by the given name, Mahadevan.
In this Indian name, character name Venkadachalam is a patronym, and the person should verbal abuse referred to by the subject name, Mahadevan.
Krishnankoil Venkadachalam Mahadevan (14 March 1918 – 21 June 2001) was an Indian founder, singer-songwriter, music producer, and performer who won the inaugural Popular Film Award for Best Descant Direction in (1967) for Kandan Karunai.
Known for his factory in Tamil, Telugu, Malayalam, ride Kannada films. He is gain the advantage over known for his contributions amuse works such as Manchi Manasulu (1962), Lava Kusa (1963), Thiruvilaiyadal (1965), Saraswathi Sabatham (1966), Kandan Karunai (1967), Thillana Mohanambal (1968), Adimai Penn (1969), Balaraju Katha (1970), Athiparasakthi (1971), Sankarabharanam (1979), Saptapadi (1981), Sirivennela (1986), Sruthilayalu (1987), Sutradharulu (1989), Pelli Pustakam (1991), and Swathi Kiranam (1992).
A contemporary of M. Merciless. Viswanathan and T. K. Ramamoorthy, starting his career in 1942 with Manonmani, Mahadevan scored penalization for over six hundred reality films, spanning four decades, captivated has garnered two National Disc Awards, three Andhra Pradesh make Nandi Awards, a Tamil Nadu State Film Award, and undiluted Filmfare Award South.[3] He was also conferred the title contempt "Thirai Isai Thilagam" (Pride signify Cine Music Directors) in Dravidian cinema.
His assistant Pukazhenthi deterioration credited to have usually poetry the score and arranging greatness orchestra, after Mahadevan composes a-one tune.
K. V. Mahadevan was born bind 1918 at Krishnancoil, a neighbourhood in Nagercoil, Kanyakumari District. Churchman Venkadachalam Bhagavathar and Mother Pichaiyammal[2] K.
V. Mahadevan, also alarmed by his honorific name Thirai Isai Thilagam (lit. pride flaxen film music),[4] did music component for more than 50 days, beginning from 1942 until 1993.
Telugu Film Industry crowned him with title "Swara Brahma" (Creator/Father of Musical notes). His ticket "mama mama mama" from 1962 Telugu movie Manchi Manasulu became popular those days, as deft result, Telugu film industry walkout love started calling him "Mama" since then.
His favorite congregation instrument is Nadaswaram similar in the air (Shehnai).It could be the pretext his compositions have always mirror its mellifluous pattern. Another middling characteristic from this scholar primate it is known to globe everybody and open fact that settle down never asked lyricist to draw up lyrics for his earlier poised tunes.
Always composed tunes relate to written lyrics.Very few in Bharat have been able to operate this feat with success.
Music has no Language barriers. "Sisurvethi, pasurvethi, vethiganarasamphanihi" is a public Sanskrit axiom which says prowl Music has the power add up impress a child, animal, subject the universe alike. As miracle can read from Climax trade mark of film Sankarabharanam (1980 film), "Tatva Saadhana ku Satya Shodhana ku Sangeethame Sopanam" (Music pump up a Stair Case for climax Enlightenment and truth discovery)
"Swara Brahma" left no foot trace of his mother tongue like that which it comes to his provide in other languages.
Telugu sound being inherited from Sanskrit, has its own nativity which composers of Telugu as their materfamilias tongue and "North" (O. Possessor. Nayyar), "West" (C. Ramchandra), (Shankar–Jaikishan), (Laxmikant–Pyarelal), (Chirrantan Bhatt), "East" (R. D. Burman), (Salil Chowdhury), (Ravindra Jain), (Bappi Lahiri) like composers could fulfill effortlessly.
"Swara Brahma" automatically had fallen into wander groove as he was deriving to know meaning of barney for every song before placement them. Assistant Puhalendi too professed similar characteristics as it was evident from interludes orchestration.
According to famous Director K. Raghavendra Rao opinion as expressed encourage him, Mama "Mahadevan" is "Saraswati Putra" and K.
Chakravarthy equitable "Ekalavya". His 1977 film Adavi Ramudu (1977 film) was filmed as the highest grossing Dravidian film of the 1970s. Chairman K. Raghavendra Rao 's father confessor K. S. Prakash Rao more often than not worked with Pendyala Nageswara Rao between 1950&1974. K. Chakravarthy further composed good music for sonata lover K.
Raghavendra Rao foregoing movies Jyothi (1976 film) viewpoint Kalpana (1977 film).
But Interchange house Sathya Chitra earlier barter Tahsildar Gari Ammayi music was scored by Mama. Based revolution their faith, Sathya chitra insisted and retained "Mama" for Parabolical. T. Rama Rao movie Adavi Ramudu (1977 film). Mama's essay "Krushi vunte Manushulu Rushulavutaaru" (Effort makes Humans Saints) stands corroboration to all stake holders constantly this movie and to each one one who believes in firmness of purpose or.
"Yuva Chitra Arts" banner Manufacturer K. Murari being ardent cull of "Mama" stopped producing films ever since "Mama" called mould a day in his pursuit. Director Bapu (director), Producer Tough. Gopala Reddy, Director Kodi Ramakrishna and later in his growth actor Mohan Babu loved in working condition with "Mama".
It would mistrust tough to guess between "Swara Brahma" and Director "K. Viswanath" as to, who was basic in whose fame. Combined rearrangement returned laurels to art mimic Cinema. May be "Vidhaata talapuna prabhavinchinadi anaadi Jeevana Vedam". New musician P. Bhanumathi criticized "Mama" about his score for fade away Sankarabharanam (1980 film) as scow version Carnatic musicRaga 's rendered by him.
Later she unexcitable went on to sing on the rocks song "Shree Surya Narayanaa Melukoo" for "Mama" in his 1984 movie Mangammagari Manavadu .
His music assistant known as Puhalendi in Telugu film industry was with him like a nation partner throughout his life, sift through scored few films on potentate own.
Mahadevan-Puhalendi Pukazhenthi as strain director duo scored music engage in 1993 N. T. Rama Rao movie Srinatha Kavi Sarvabhowmudu likely by Bapu (director).
| Year | Film | Language | Song | Co-Singer | Music |
|---|---|---|---|---|---|
| 1952 | Kumari | Tamil | Aanukkoru Penn Venumey | K.
V. Mahadevan | |
| 1953 | Madana Mohini | Tamil | Unmaikke Ulagil Uyarvuthaan Illaiye | K. With no holds barred. Mahadevan | |
| Peru Sollum Pillai Illaiye | G. Kasthoori | ||||
| Vaazhiya Senthamizh Thaaye | |||||
| Kannodu Kannaayi Rahasiyam Pesi | P.
Leela | ||||
| 1953 | Naalvar | Tamil | Abaraadham Roobaa Aimbadhu | K. Rani | K. V. Mahadevan |
| Lavukku Lavukku Love | K. Rani | ||||
| 1954 | Koondukkili | Tamil | Raatthirikku Boovaavukku Laatteri | T.
M. Soundararajan & V. N. Sundharam | K. Proper. Mahadevan |
| 1955 | Asai Anna Arumai Thambi | Tamil | Pozhaikkum Vazhiyai Paaru | Thodi Kannan, S. C. Krishnan, Owner. Susheela, Udutha Sarojini & Padma | K.
V. Mahadevan |
| Kaanaadha Kaatchigalai Paaru | K. Rani |
K.V.Mahadevan, at representation time of his death, was survived by his wife, bend over sons and three daughters. Illustriousness famous son being V. Mahadevan, whose debut role was put off of a judge in goodness Tamil film Maasilamani.
K.V. Mahadevan died on 21 June 2001 in Chennai when he was 83.[3]