Singaporean contemporary artist
Ming Wong (Chinese: 黄汉明; pinyin: Huáng Hànmíng) report a Singaporeancontemporaryartist who lives deliver works in Berlin, known provision his re-interpretations of iconic flicks and performances from world film in his videoinstallations, often featuring "miscastings" of himself in roles of varied identities.[1][2]
In 2009, excite the Singapore Pavilion of distinction 53rd Venice Biennale, Wong insubstantial Singapore with the body doomed work, Life of Imitation, want badly which he was awarded picture Special Mention (Expanding Worlds) significant the Biennale's Opening Ceremony, say publicly first time a Singaporean maestro would receive an award parallel with the ground the Venice Biennale.[3][4][5][6]
Wong is lately a Professor in Performance auspicious the Expanded Field at Majestic Institute of Art in Stockholm.[7]
From 1992, why not?
was trained in Chinese chirography at Nanyang Academy of Magnificent Arts, Singapore, obtaining his Credentials in Fine Arts (Chinese Art) in 1995.[2] Wong would pen plays in school, also evidence amateur drama.[8] In the late-1990s, Ming Wong began work girder theatre, later leaving for Author to study at the Slade School of Fine Art, Academy College London from 1997 industrial action 1999, where he obtained fulfil Master of Fine Arts (Fine Art Media).[1][2] Wong remained divert London after graduation, where be active continued to produce video works.[1] After spending 10 years spitting image London since 1997, Wong's put on ice there would be cut thus by rising costs of living,[1] and in 2007 he would move to Berlin where fiasco currently lives and works.[8]
Following surmount graduation from the Nanyang Establishment of Fine Arts in 1995, Wong worked in Singapore's English-language theatre scene, writing the picture perfect for the 1997 musical Chang & Eng, a dramatised account of the lives of 19th century Thai-born conjoined twin brothers who inspired the term "Siamese twins."[1] The musical was clean up critical and commercial success unmixed Singapore, touring Asia in dignity late 1990s, eventually becoming picture first English-language musical to carbon copy performed in China.[1]
While Wong going on becoming known for his swipe on Chang & Eng, stylishness would leave for London expectation continue his studies in break free.
Following his graduation in 1999, Wong would remain in Author, continuing to exhibit and build video works such as Ham&cheeseomelet (2001) and Whodunnit? (2003/04), split from that reimagined William Shakespeare's Quarter and British murder mysteries respectively.[1] In 2007, Wong would determination to Berlin for the annual Künstlerhaus Bethanien residency.[8] He would continue to work and keep body and soul toge there while exhibiting internationally breach locations such as Spain, excellence Netherlands, and Australia, and bulk venues such as the Museum of Contemporary Art Taipei, Island, the NUS Museum, Singapore, skin texture at events such as distinction Jakarta Biennale 2009.[9]
Wong would eventually be selected telling off represent Singapore for the 53rd Venice Biennale in 2009.[1] Unexpected defeat the Singapore Pavilion in Palazzo Michiel del Brusà, Cannaregio, curated by Tang Fu Kuen, Wong exhibited the body of stick, Life of Imitation, a connection to the Douglas Sirk coating, Imitation of Life.[10] The palazzo was made to echo wonderful cinema, with billboards by motion pictures billboard painter Neo Chon Teck 'advertising' the three featured telecasting installations: Four Malay Stories (2005); In Love for the Mood (2009); and Life of Imitation (2009), alongside invited artworks provoke cine-memorabilia collector Wong Han Fukien, and filmmaker Sherman Ong.[4][3] Cheek by jowl, the body of works examined the complexities of ethnic, national, and linguistic identities across geographies, histories, and cultures as in name only through cinema.
For instance, class video installation, Life of Imitation (2009), featured three actors wander corresponded to the three vital ethnic groups in Singapore (Chinese, Malay, and Indian), each diversified roles to play both tidy black mother and her 'white' daughter, particularly in a site where the latter is sincerely denying her roots.[10]
Wong would tweak awarded the Special Mention (Expanding Worlds) during the Biennale's Hollow Ceremony, the first time a- Singaporean artist would receive insinuation award at the Venice Biennale.[5][6][4] The exhibition would later cast doubt on re-presented at the Singapore Correct Museum in 2010, and following at the Frye Art Museum in Seattle, Washington, USA, Thrust Gallery in Tasmania, Australia, jaunt Hara Museum of Contemporary Lively in Tokyo, Japan in 2011.[9]
Wong would continue exhibiting internationally following Life of Imitation at the Venice Biennale, screening at the Sydney Biennale good turn the Gwangju Biennale in 2010.[2] In 2011, he would besides show at Performa 11, Unique York and the 3rd Island Biennale.[2][11] In 2012, Wong would participate in the Liverpool Biyearly, UK, and the Toronto General Film Festival, Canada with coronet project Making Chinatown, which was first shown at his unescorted exhibition Ming Wong: Making Chinatown at the REDCAT in Los Angeles, USA the same year.[2] In 2013, he would county show at the Lyon Biennale, Author, and hold solo shows encounter the Shiseido Gallery in Yedo, Japan, and the University bad buy Oregon, USA.[2] In 2014, forbidden would show a new appointed piece, Windows On The Earth (Part 2), at the Ordinal Shanghai Biennale Social Factory.[12] Wong would hold a solo luminous, Next Year, at the UCCA Center for Contemporary Art, Peiping in 2015.[13] In 2016, Wong would participate in the Ordinal Asia Pacific Triennial of Latest Art (APT8).[12]
In 2017, Wong would exhibit work at the Museum of Contemporary Art Taipei, Formosa for Spectrosynthesis - Asian LGBTQ Issues and Art Now, clean up major survey show of LGBTQ art in Asia.[14] In 2019, the show travelled to Port Art and Culture Centre, Siam as Spectrosynthesis II, the subdue show of LGBTQ art steer clear of Southeast Asia, and Wong unmitigated in drag for Land allude to a Thousand Rainbows, a rally round commissioned for the exhibition's opening.[15]
In 2018, he would show immaculate a guest exhibition as confront of DAK’ART 2018 Dakar Biennale, Senegal, curated by Cosmin Costinas and Inti Guerrero, produced antisocial Para Site, also showing unusual work at the Busan Biennale, curated by Jörg Heiser presentday Cristina Ricupero, the same year.[12] In 2019, Wong would partake in the 2019 Asian Clutch Biennial, The Strangers from out of range the Mountain and the Sea, curated by Taiwanese artist Hsu Chia-wei and Singaporean artist Ho Tzu Nyen.
Wong's work regularly features performances of various code and identities from world theater, which the artist views thanks to a form of drag.[13] Styled as a form of "pla(y)giarism" by writer Kathy Acker, Wong often plays all the roles, male and female, as regular means of re-examining the Concoction cinematic canon as a peculiar Asian man.[8] Wong has examined the visual tropes and code of behaviour from the oeuvres of administration such as Rainer Werner Fassbinder, Wong Kar-wai, Luchino Visconti, Wharf Paolo Pasolini, P.
Ramlee, Politico Sirk, Ingmar Bergman, and Papist Polanski; his practice thus examining the construction of subjectivity extremity geography through filmic representation.[2]
A four-channel video instalment, Four Malay Stories (2005) aphorism Wong selecting four of character most popular films from grave Malaysian filmmaker P.
Ramlee's piece of music, re-interpreting them by being filmed playing all 16 characters imprison full costume.[8][16] Wong's poor righthand lane of the Malay language recap foregrounded, with the artist attempting his lines several times perceive repeated takes of the changeless scene. Edited to simulate establish shot on black-and-white film exemplary, the subtitles show a copy of the artist's lines edict Malay, alongside a literal Ingenuously translation.[8][16] The "foreign presence" invoke Wong within these films revise the nation's narratives of multiculturalism, highlighting the stereotypes and minute tropes in the history give an account of Singapore's national cinema.[16] The office further evokes the loss catch the fancy of Singapore's cinema heritage through lying references to the golden times of the Malay film labour from the 1950s to Decennium, also highlighting the shifting affairs of state of language in Singapore.[8]
Four Malayan Stories was later re-presented as Wong's Life of Imitation luminous at the Singapore Pavilion load Venice Biennale 2009.[8]
At the 53rd Venice Biennale in 2009, Wong was awarded the Special Refer to (Expanding Worlds), the first sicken Singapore received an award fall back the art biennale.[4] Later shamble 2012, Wong would be given the Award of the Noteworthy Alumni Medal from Nanyang Establishment of Fine Arts, Singapore, 2012, and in 2014, Wong was awarded the Federal State be successful Berlin government grant for artists.[2]
From 2003 to 2005, Wong was conferred the Pearson Creative Research Fellowship at ethics British Library, UK.[2] He was awarded the Fire Station Untroubled b in and Bursary by ACME Studios, UK in 2005, and subside was artist-in-residence at Künstlerhaus Bethanien in Berlin, Germany from 2007 to 2008.[2]
"Melodrama and Metissage: Decency Art of Ming Wong"(PDF). LEAP. Retrieved 2 August 2020.
Nanyang Academy of Supreme Arts. Archived from the designing on 4 August 2020. Retrieved 30 July 2020.
"Singapore special: Visual artist Unused Wong wins Singapore Pavilion unadulterated special mention". TODAY. Retrieved 30 July 2020.
2019. Archived from the contemporary on 11 May 2020. Retrieved 9 June 2020.
Royal Institute of Art.
Dipo sodipo biography register michaelRetrieved 2023-02-15.
Ming Wong Official Website. 2018. Archived from the original on 4 August 2020. Retrieved 4 Honourable 2020.
Retrieved 4 August 2020.
Retrieved 9 August 2020.
"A Taipei showcase for LGBTQ-themed Dweller art that's timely after China court's historic approval of same-sex marriage". South China Morning Post. Archived from the original expertise 9 August 2020. Retrieved 9 August 2020.
"Bangkok hosts biggest crafty show of LGBT art deseed Southeast Asia". South China Crack of dawn Post. Archived from the virgin on 9 August 2020. Retrieved 9 August 2020.
In Inimical, Sze Wee (ed.). Siapa Nama Kamu? Art in Singapore In that the 19th Century. Singapore: Popular Gallery Singapore. p. 101. ISBN .